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Monday, January 9, 2017

Pygmalion - My Fair Lady

Pygmalion, by George Bernard Shaw is a modern recreation of the gradationical myth, where legendary sculptor who throw in love with his knowledge statue of Aphrodite. Many versions speak of him praying to Aphrodite and granting his wish, she brought the statue to vivification in which he named Galatea. though Shaws play promises this chronicle in England, to portray the aspects of reciprocal kind course of instruction classification, where prof Higgins a man of the lay class transforms a untainted flower girl into what he claims to be a Duchess and through with(predicate) teaching her how to speak strait-laced English she on her testify would convince that she is of a bosom class family. Shaw uses speech and woof of words, along with other features to put away light on the social distinctions.\nThe film adaptation My light Lady lacks the original last because Eliza conks to Higgins in the end, but in Shaws play she does non return but bids leave of absence at M rs. Higgins household. Though we can non see if Eliza really returns to him in a sentimentalist way, it is not seen. further the film given its controlling outlook on manly dominance; shows that she could possibly return to him for that reason. Though, if Eliza were a real psyche in this situation whence it should not end this way. Elizas characteristics wont resign her to return to Higginss because she does not experience the need to be dominated by anyone; particularly Higgins. Their personalities continue to clash notwithstanding when she is refined because of Higginss post and pride. Because Eliza does not like to be controlled this is why she is suited to conjoin Freddy, his character as a male is weak and this makes Eliza feel strong because she has control.\nApart from the characteristics of the characters that view as them apart, it is the fact that they are of devil different social classes. Higgins feeler from an upper social class and Eliza from a working c lass background as romantic as it would sound, the adjustment of brisk to each otherĂ¯¿½...

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