Wednesday, April 3, 2019
Virginia Woolf | A Modernist Perspective
Virginia Woolf A Modernist PerspectiveVirginia Woolfs sweets unified the quintessential elements of the modern experience. I go forth explore the literary expression of these characteristics in resemblance to troika of Woolfs novels Mrs Dalloway, The Waves and To the Light House. Firstly, I leave analyse the modernist perspective in relation to form, narrative technique, structural dynamic, sexuality etc. I will excessively check out Woolfs materialization of time and how its constant reflections on the past incorporate a manifestation with the progression of actuality. I will besides deconstruct the thematic ideologies envisioned in Woolfs texts and tie in them to the exhibition of modern being. This explode of the dissertation will focus fundamentally on the technical and modernist aspects of Woolfs literary productionsThe second part of the thesis will conceptualize the sociological and political background of Woolfs narratives. I will unravel the historical const ructions and implications of her compositions. I will explore the concrete reality and the space that occupies the metaphoral fabrications of her novels. I will analyse Woolfs encapsulation of the city as a medium that shapes and conceptualizes aesthetic experience. I will explore her representations of the urban landscape and affable environment and relate them to the theoretical investigations promulgated by critical interpretations of the metropolis. I will also contemplate Woolfs exhibition of the city as a transitionary space in which sociological models are deconstructed and materialized.3) StructureIntroduction Woolf as the quintessential modernist.This feature chapter will explore the general interpretations and influences of the modernist writer. It will offer an overview and introduction of Woolfs works. I will explore Woolfs idiosyncratic depictions of reality and how this complex process became the central preoccupations of the 19th century modernist writer. I will a lso deconstruct the fundamental innovations of the modernist experience and how these cultural, political, economical and historical productions destabilized the conventional constructs of actuality.Chapter 1 Past as a continuous presence, literary experiments with time the experience of linear temporalty and contemporary being in Virginia Woolfs novels.In this chapter I will analyze the influential dynamic of the past and how its materialization can formulate contemporary moments of temporality. I will circumstancely examine Mrs Dalloway. I will investigate the modernist production and representations of psychological and impersonal time. This chapter will incorporate a grade of critical theorist such as Henri Bergson and how his theoretical implications and materializations of time had eventful implications on the modernist aesthetic.Chapter 2 Experimental perspectives the geographic expedition of modern representations of the unconscious in Virginia Woolfs The Waves.This cha pter will incorporate an exploration of the subjective experience presented in Woolfs narrative. I will investigate the exposition of Woolfs stream of consciousness technique and its eventful implications on the aspects and productions of the modernist experience.Chapter 3 Historical representations a panoramic view of section and social structure in Woolfs Mrs DallowayI will explore the social dynamic of Woolfs novels in this third chapter. I hope to encapsulate an total perspective and viewpoint of the social world of Woolfs narratives. I will explore the social relationships that are represented in the text in particular in Mrs Dalloway.Chapter 4 The City as an aesthetic experience metropolitan modernity in Woolfs novels.In this chapter I will incorporate an wicked investigation on the depiction of the urban landscape displayed in Woolfs novels. I will uncover the aesthetic perspectives of the metropolis and consider its dynamic as a fluctuating and transformative space. I wil l also examine the incompatible forms in which she presents the city as an aesthetic, irresolute and wavering experience.Chapter 5 A feminist critique understanding Woolfs perspective.This particular chapter will offer an exploration on Woolfs representations and constructions of gender relations. I will also investigate the depictions of gender stereotypes in relation to class division and structure.Working BibliographyAyers, David, Modernism A Short Introduction. Blackwell, 2004. impress.Black, N. Virginia Woolf as feminist. Cornell University Press, 2004Bradbury, Malcolm James McFarlane, eds. Modernism 1830-1930. Penguin, 1976. Print.Bridge, Gary Sophie Watson. The Blackwell City Reader. Blackwell, 2002. Print.Briggs, J. Reading Virginia Woolf. Edinburgh University Press, 2006. Print.Brooker, Peter. Geographies of Modernism. Routledge, 2005. Print.Coverley, Merlin, capital of the United Kingdom Writing. Pocket Essentials, 2005. Print.Cuddy-Keane, Melba, Virginia Woolf, the In tellectual, and the Public Sphere. Cambridge UP,2003.Print.De Certeau. Michel, The Practice of Everyday Life. California UP, 1988. Print.DeBord, Guy, The Society of the Spectacle. ascend Press, 1992. Print.Dettmar, Kevin. Rereading the new a backward glance at modernism. University ofMichigan Press, 1992. PrintEysteinsson, Astradur. The Concept of Modernism. Cornell UP, 1990. Print.Faulkner, Peter, Modernism. Routledge, 1990. Print.Froula, Christine, Virginia Woolf and the Bloomsbury Avant-Garde War, Civilization,Modernity . 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The modern novel a short introduction. Wiley-Blackwell, 2004. Print.Nicholls, Peter, Modernisms A literary Guide. Macmillan, 1995. Print.Olsen, Donald J., The City as a Work of Art .Yale UP, 1986. Print.Rainey, Lawrence, Modernism An Anthology . Blackwell, 2005.Print.Scott, Bonnie Kime.,ed. The Gender of Modernism A Critical Anthology . Indiana UP, 1990. Print.Squier, Susan Merrill, Virginia Woolf and London The Sexual Politics of the City. NorthCarolina UP, 1 985. Print.Stevenson, R. Modernist fiction an introduction. University Press of Kentucky, 1992. Print.Weston, Richard, Modernism. Phaidon, 1996.Print.Whitworth, Michael. H. Virginia Woolf. Oxford University Press, 2005. Print.Williams, Raymond, The Politics of Modernism. Verso, 1989. Print.Wilson, Jean Moorcroft, Virginia Woolf Life and London. Woolf, 1987. Print.Wolfreys, Julian, Writing London Materiality, Memory, Spectrality, Vol.2. Palgrave, 2004. Print.Woolf, Virginia. To the lighthouse. Oxford University Press, 2006. Print.Woolf, Virginia. Mrs Dalloway. PenguinWoolf, Virginia. The Waves. Collectors library, 2003.Zwerdling, Alex. Virginia Woolf and the strong World.University of California Press, 1987. Print.ArticlesAbbott H. P. Character and Modernism Reading Woolf Writing Woolf New Literary History, 24.2, Reconsiderations (Spring, 1993) 393-405Banfield, Ann. Time Passes Virginia Woolf, Post-Impressionism, and Cambridge Time Poetics Today, 24. 3, Theory and History of Narrati ve (2003) 471-516Brian Phillips cosmos and Virginia Woolf Reality and Virginia Woolf The Hudson Review, 56.3 (2003) 415-430King, James. Review Wallowing in Woolf Molly HiteReviewed work(s) Virginia Woolf The Womens Review of Books,13.2 (1995) 5-6Paul Tolliver Brown Relativity, Quantum Physics, and cognisance in Virginia Woolfs To the Lighthouse Journal of Modern LiteratureHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/journal_of_modern_literature/toc/jml.32.3.html, 32.3. (2HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/journal_of_modern_literature/toc/jml.32.3.html009)39-62Pawlowski, Merry M. Virginia Woolfs Veil The womens rightist Intellectual and the Organizationof Public Space MFS Modern Fiction StudiesHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs53.4.html, 53. 4. (HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs53.4.html2007) 722-751.Seshagiri, Urmila. lie Virginia Woolf Race, Aesthetics, and P olitics in To theLighthouse. MFS Modern Fiction StudiesHYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs50.1.html, 50.1. (HYPERLINK http//muse.jhu.edu.eproxy.ucd.ie/journals/modern_fiction_studies/toc/mfs50.1.html2004) 58-84Taylor, Chloe .Kristevan Themes in Virginia WoolfHYPERLINK http//www.jstor.org.eproxy.ucd.ie/ stable/3831688? explore=yessearchText=woolfsearchText=virginialist=hidesearchUri=/ fill/doBasicSearch? doubtfulness=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTextHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTexts HYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnA rticleService=showFullTextHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullTextThe WavesHYPERLINK http//www.jstor.org.eproxy.ucd.ie/stable/3831688?Search=yessearchText=woolfsearchText=virginialist=hidesearchUri=/action/doBasicSearch?Query=virginia+woolfacc=onwc=onprevSearch=item=3ttl=15185returnArticleService=showFullText . Journal of Modern Literature, 29.3 (2006) 57-77
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